Dianne Woest Fellowship in the Arts and Humanities

The Dianne Woest Fellowship in the Arts and Humanities supports scholarly research on the history and culture of Louisiana and the Gulf South. While THNOC resources should play a central role in the proposed research agenda, fellows are also encouraged to explore other research facilities in the Greater New Orleans area.

The Woest Fellowship is open to graduate students, academic and museum professionals, and independent scholars. U.S. citizenship is not required, but applicants should be fluent in English.  Fellows will be expected to acknowledge THNOC in any published work drawing on fellowship research. Applicants are considered without regard to race, color, religion, national origin, gender, age, disability, or any other protected status.

Stipend: The fellowship includes a stipend of $4,000. Fellows may select their period(s) of residence, but all research must commence and conclude during the specified fellowship term.

Deadline: Applications for the 2024–25 Woest Fellowship will be due on November 15th, 2023.

To Apply: Applicants are encouraged to familiarize themselves with THNOC’s resources by visiting the Research page and browsing our holdings via our online public access catalog. Fellowship applications may be downloaded from the website. For more information, consult our FAQ, or contact Rebecca Smith at rebecca.smith@hnoc.org.

The Historic New Orleans Collection gratefully acknowledges the generosity of Dianne Audrey Woest (1935–2003), a graduate of Southeastern Louisiana University, former president of the New Orleans Council for International Visitors, and true friend of the arts. Through a planned giving arrangement, Woest designated The Collection as a beneficiary of her estate.

THNOC congratulates the 2023–24 class of Woest Fellows, whose projects reflect the breadth of our institutional holdings and sustain the tradition of scholarly merit established by previous fellowship recipients.

Elizabeth Rouget, “Dance as Translation: Establishing French Opera, Ballet, and Circus in Early North America, 1780-1810”

Benjamin Groth, “The Black Sacrament: How Baptism Created Race in Spanish New Orleans and the Atlantic World”

Aurélie Godet, “’To Bring Joy to Mississippi’: The Festive Landscape of French Colonial New Orleans”